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Reality Labs Entertainment Video Production (RVP) develops, produces, and delivers video content across a fast-growing, ever-evolving slate — spanning immersive, 3D, and traditional formats. We're hiring a Head of Post-Production & Delivery to own the post and delivery engine that every title flows through. Post here is involved from development through final delivery, not as a downstream phase: this role leads the post-production process with our post-production partners, coordinates deliveries, ensures content meets technical specs and best practices, and keeps asset tracking and cross-functional communication clean. Our producers own their projects and partner relationships; this role makes sure the post-production and delivery pipelines run clean across the slate in support of those producers — and raises the quality bar as we scale. This is a senior, hands-on leadership role for someone who has built and tightened post-production systems at scale, can look around corners in a fast-moving environment, understands the full landscape of traditional, immersive, and stereoscopic 3D post, and is comfortable directing a roster of external vendors and contractors through ambiguous, ever-changing, high-throughput work. You'll build the documented, repeatable, scalable systems a growing slate depends on.
Job Responsibility
Own the post & delivery pipeline, end-to-end
Tighten the systems
Lead the vendor & contractor org
Be the quality gate
Look around corners
Partner cross-functionally
Operate across formats
Requirements
12+ years of post-production experience across scripted, unscripted, and/or live events, including senior leadership (Post Production Supervisor / Post Producer / Head-of-Post or equivalent) running multiple concurrent projects from development through delivery
Experience with digital asset management systems, media encoding technologies, and post production software ecosystems
Proven track record building and tightening post-production and delivery systems at scale including delivery specs, QC and acceptance standards, media asset management, naming conventions, and workflow automation — not just running shows
Demonstrated experience leading external vendors and contractors (not only internal staff) to high-quality, on-spec, on-time delivery in fast-paced, ambiguous, ever-changing environments
Deep technical fluency: video/audio codecs, transcoding to spec, high-resolution content (4K–8K+), HDR / Dolby Vision, spatial / Dolby Atmos audio, professional camera formats, and editorial / online / grade / sound workflows
Experience with capacity and throughput planning, risk anticipation, and scaling pipelines ahead of demand
Hands-on proficiency with industry-standard post tools (Adobe, Blackmagic / DaVinci Resolve, Foundry, SGO) and review/approval tooling
Demonstrated experience with exceptional organization and attention to detail, with the ability to set standards and best practices for large, distributed teams
Experience with communication and collaboration and able to influence cross-functional teams and external partners, and to lead and mentor without relying on direct reporting lines
Experience delivering to new platforms and devices (headset / spatial playback, novel delivery specs)
Live events and/or sports post and live workflows
Experience with immersive video formats — stereoscopic VR180, mixed reality, etc
Closed-captioning and localization at scale (multi-language / multi-dialect delivery)
Track record standing up a post operation from a vendor + contractor base (vs. a large in-house FTE team)
Experience with stereoscopic / 3D content and 2D→3D conversion workflows
Nice to have
Experience delivering to new platforms and devices (headset / spatial playback, novel delivery specs)
Live events and/or sports post and live workflows
Experience with immersive video formats — stereoscopic VR180, mixed reality, etc
Closed-captioning and localization at scale (multi-language / multi-dialect delivery)
Track record standing up a post operation from a vendor + contractor base (vs. a large in-house FTE team)
Experience with stereoscopic / 3D content and 2D→3D conversion workflows